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Compositions
Title | Instrumentation | Year | Recording | Commissioning Body |
---|---|---|---|---|
Time is Nothing but a Story | Large Ensemble | 2023 | Commissioned by the Bludenzer Tage zeitgemäßer Musik with
the support of the Swiss Arts Council Pro Helvetia | |
Mirror Blown Into Pieces: The Immortal III | Two Pianists and two Percussionists | 2023 | https://roulette.org/event/yarn-wire-currents/ | Commissioned by Yarn/Wire |
Schattenspiel | Orchestra | 2023 | Commissioned by Lucerne Festival funded by the Ernst von Siemens Music Foundation | |
Cosmic Migrations: Earth Depends on the Movement of its Life/ Life Ain’t Nothing but a Tilt. | Large Ensemble—Open Instrumentation | 2023 | Commissioned by Outernational / Radialsystem with the
support of the Ernst von Siemens Music Foundation | |
Enter the Impossible Cosmos: Origin Story KB | Piano | 2022 | Commissioned by Joe Kubera | |
Enter the Impossible Cosmos: Origin Story JS | Saxophone or Woodwind | 2022 | Commissioned by Josh Sinton | |
Sounds of Alterdestinies | Contrabass Flute | 2022 | Commissioned by the Paul Fromm Foundation at Harvard University | |
White Gaze II: Blackness' Seeing | Viola Solo | 2022 | Commissioned by Heidi Duckler Dance | |
Black Hole | String Quartet | 2022 | Commissioned by the Paul Fromm Foundation at Harvard University | |
Black Breathing | Contrabass Flute | 2022 | Commissioned by the Paul Fromm Foundation at Harvard University | |
Black Hole Journeys: The Immortal II | Percussion | 2022 | https://youtu.be/MFDVWkIEOk8 | Commissioned by Noah Rosen |
Enter the Impossible | Open Instrumentation | 2022 | Commissioned by the Paul Fromm Foundation at Harvard University | |
Black Noise Canon | Piano | 2022 | Commissioned by Han Chen | |
Sound Is Where Drums Meet: For Halim El-Dabh | Non-European Folk Instrument, Electric Guitar, Drumset | 2022 | https://vimeo.com/542583676 | Commissioned by Savvy Contemporary |
Transmutations: The Immortal I | Voice (Female) and Percussion | 2022 | Commissioned by Bethany Younge and Jennifer Torrence | |
Black/Blackness: After Mantra(s) | Piano and Electronics | 2022 | Commissioned by Simone Keller | |
Music for the Alterdestiny | Large Ensemble and Non-European Instruments | 2022 | ||
Black Mother-Ship | Voice (Mezzo-Soprano) | 2022 | Commissioned by Heidi Duckler Dance | |
The Sound of Music | Large Ensemble | 2022 | Commissioned by Columbia University Composers | |
Enter the Impossible | Contrabass Flute, Drums, String Quartet, Improvising Large Ensebmle or Chamber Orchestra or Big Band | 2022 | Commissioned by the Paul Fromm Foundation at Harvard University | |
Enter the Impossible Cosmos: Wave-Particle Knots | Open instrumentation | 2022 | Commissioned by Sound American | |
An Exercise in Breathing Together | Bassoon Concerto (Chamber Orchestra) | 2021 | Commissioned by Joy Guidry | |
An Exercise in Breathing Together | Bassoon and Piano | 2021 | Commissioned by Joy Guidry | |
For Pauline Kim Harris | Violin Solo | 2021 | Commissioned by Pauline Kim Harris | |
The Fiddle is for Diggin’ (long) | Violin Solo and Electronics | 2021 | Commissioned by Nicole Cherry | |
Afrofuturism is for Everyone | Movements for: Any Air Instrument, String instrument, Percussion | 2021 | Sample available upon request | Commissioned by Bar Harbor Music Festival |
Alien Stories | Violin Duo | 2021 | https://stringnoise.bandcamp.com/track/jessie-cox-alien-stories | Commissioned by Carnegie Hill Midday Music Festival for String Noise |
Alongside A Chorus of Voices | Large Ensemble | 2021 | Sample available upon request | Commissioned by Lucerne Festival with kind support of the Swiss Arts Council Pro Helvetia |
Sonic Cartographies | From 1 to 7 Bassoons (and possibly Electronics) | 2021 | Commissioned by Rebekah Heller | |
Breathing | Voice (Bass) | 2020 | https://www.youtube.com/watch?v=TKB0PagHJ6w&t=212s | Sally Kurnick and the Long Beach Opera |
Light-Dots on a Deep-Space-Image | Bb Clarinet (Microtonal) | 2020 | https://youtu.be/NFlkVYqPCtA | Commissioned by Gregory Oakes |
AT(ou)M | Oboe | 2020 | https://www.ram.ac.uk/multimedia/atoum | Commissioned by the Royal Academy of Music |
Black as a Hack for Cyborgification | Open Instrumentation | 2020 | https://www.pinknoiseensemble.com/blackasahackforcyborgification | Commissioned by Pink Noise Ensemble |
The Sound of Listening (Double Bass Solo) | Double Bass and Electronics | 2020 | https://issueprojectroom.org/video/propositions-deadwip-sound-listening-jessie-cox | Commissioned by Issue Project Room |
Not-In-Between | String Quartet | 2020 | https://youtu.be/oC9izkw_YmY | Commissioned by National Sawdust for JACK Quartet |
As A Song of A World | Opera (Chamber) | 2020 | https://www.jessiecoxmusic.com/as-a-song-of-a-world | Either/Or Ensemble |
The Sound of Listening (Open Instrumentation) | Open Instrumentation and Electronics | 2020 | https://issueprojectroom.org/video/propositions-deadwip-sound-listening-jessie-cox | Commissioned by Issue Project Room |
The Fiddle is for Diggin’ (short) | Violin Solo | 2020 | Commissioned by Nicole Cherry | |
Space Travel From Someplace Else | Open Instrumentation | 2020 | https://newfocusrecordings.bandcamp.com/track/jessie-cox-space-travel-from-someplace-else | Commissioned by Wavefield Ensemble |
The Weaving of Worlds | Large Ensemble | 2020 | Columbia University Composers | |
The Sound of Listening | Ensemble and Electronics | 2020 | https://issueprojectroom.org/video/propositions-deadwip-sound-listening-jessie-cox | Commissioned by Issue Project Room |
The Sound of Listening (Oboe Solo) | Oboe and Electronics | 2020 | https://issueprojectroom.org/video/propositions-deadwip-sound-listening-jessie-cox | Commissioned by Issue Project Room |
Sun Song No. 1: For the Sun Ra Arkestra | Big Band | 2020 | Commissioned by the Columbia University Composers | |
The Masked Hole/Whole | Drums, Violin, and Electronics | 2019 | https://www.youtube.com/watch?v=jtcBPlKblUE | Commissioned by Pauline Kim Harris |
After-Wor(l)ds | Voice (Soprano) and Ensemble | 2019 | https://www.youtube.com/watch?v=ZWodODU9kps | Commissioned by La Phil and Gustavo Dudamel |
Time-Space | Bass Clarinet | 2019 | https://soundcloud.com/jessie-cox-music/time-space?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing | |
Wereds | Bass/Piccolo Flute | 2019 | Commissioned by Margaret Lancaster | |
Not-In-Between | Acoustic Guitar | 2019 | Commissioned by Margins Guitar Collective | |
The Retroactivity of Meaning | String Quartet | 2018 | ||
Less than Nothing | Orchestra or Large Ensemble | 2018 | ||
/æʃ/ | Bb Trumpet | 2018 | ||
/Dʒs/ | Cello and Percussion | 2018 | ||
Conscious Music | String Quartet | 2018 | https://www.youtube.com/watch?v=2s1nCmnnVXo | Commissioned by Columbia University Composers |
Spiritus | Flute | 2018 | https://lauracocks.bandcamp.com/track/spiritus-jessie-cox | |
/æʃ/ | Trumpet | 2018 | ||
Nachklang | Double Bass | 2018 | https://kylemotl.bandcamp.com/track/jessie-cox-nachklang-2018 | |
Story of I-Not | Cello | 2018 | https://www.youtube.com/watch?v=pjcU_xm0WNk | |
OR/UN | Bb Clarinet | 2018 | https://soundcloud.com/jessie-cox-music/orun?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing | |
Form Content Negotiations | Bassoon | 2018 | https://www.youtube.com/watch?v=47qw4CcDJUE | |
...inside... | Harp | 2017 | ||
Afronaut | Flute | 2017 | https://www.youtube.com/watch?v=j4ZBmy53r8Y | Commissioned by Eva Redamonti |
Nothing Is | Oboe and Piano | 2017 | ||
Dark, Light | Violin Duo | 2017 | ||
Triangles, Squares, Lines are made of Points | Violin and Marimba | 2017 | Commissioned by Boston Conservatory | |
Reconsider Dissonance | Violin and Electronics | 2017 | SOUNDCLOUD LINK | |
Examination of Planet 473b | Chamber Orchestra and Electronics | 2017 | ||
Origin | Alto Saxophone, Percussion, and Electronics | 2017 | ||
A Future Past (in Latin-America) | Acoustic Guitar | 2017 | ||
Creation is Vibration (Meditation) | Oboe and Cello | 2017 | ||
Quantify | Open Instrumentation | 2017 | https://www.youtube.com/watch?v=bSMtbh1Jjis&t=3s | |
Existence Lies In-Between | Large Ensemble | 2017 | https://www.jessiecoxmusic.com/existence-lies-in-between | |
Nothing | Voice (Contralto), Alto Saxophon, Violin, Cello, and Drumset | 2017 | ||
The Life of Information | Violin Duo | 2017 | Commissioned by String Noise | |
Earth | Bassoon duo | 2016 | ||
What Dirt Can BE | Accordeon and Electric Guitar | 2016 | ||
Of the Myth | Choir | 2016 | ||
My History | Alto Saxophone | 2016 | ||
The Same but Different | Drums and Electronics | 2016 | ||
DReamality | Flute and Electronics | 2016 | https://www.youtube.com/watch?v=ooIeCRsrRY4 | |
All Scores available. E-mail me at:
jessiecoxmusic@gmail.com
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